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Staff - Academic staff

 

Name

Prof Peter Nelson

Contact

Music

School of Arts, Culture & Environment

university of Edinburgh
Alison House
12 Nicolson Square
Edinburgh
EH8 9DF

 

Room: 215

Email: P.Nelson@ed.ac.uk

Phone: +44 131 650 2428

Position

Professor

Academic Biography

Peter Nelson was born in Glasgow, and studied English Literature and Music at Glasgow University. After further study at the University of Edinburgh and the Massachusetts Institute of Technology (MIT), he was appointed to lectureships at the Universities of Glasgow, then Nottingham, and since 1986 has taught in Music at the University of Edinburgh.

 

Through the 1980's he worked closely with the composer, Iannis Xenakis and his UPIC computer music system, composing a number of works for the UPIC. He also founded Edinburgh Contemporary Arts Trust (ECAT), with his colleague Geoffrey King, presenting a regular season of new music concerts in Edinburgh, bringing most of the leading international performers, composers and ensembles to Scotland. He is editor of the international journal, Contemporary Music Review published by Routledge.

Recent compositions include a concerto for cello/electric cello, for Frances-Marie Uitti and the Scottish Chamber Orchestra, and MerzMusic for soprano and ensemble, on texts by Kurt Schwitters, commissioned by Paragon Ensemble for the 2004 Edinburgh International Festival.

Research Interests

  • Composition
  • Interactive Computer Systems
  • Music Informatics
  • Analytical and aesthetic aspects of 20th century music

 

Recent Research Grants

AHRB New work for video-based gesture recognition of a live-performer and real-time sound processing. Development of a Real-Time, Interactive Computer System for Musical Performance.

EPSRC Cognitively Pertinent Models and Tools for the Discovery and Analysis of Structural Similarities in Musical Data. In collaboration with The City University, London.

 

Recent/Current Supervised PhD dissertations

Cognitive aspects of pattern-matching in music

 

"Hidden Markov” modelling of musical structure

 

IInteractive computer systems for performance

 

Space as a virtual musical instrument

 

Timbre and Technology- An Analytical Partnership

 

A General Computational Theory for Music Analysis

 

IIrony in the late string quartets of Ludwig van Beethoven

 

The music of Pierre Boulez- a Deleuzoguattarian approach

 

The Sonorous Body- Music, Enlightenment and Deconstruction

Peter Nelson
Peter Nelson's Pages

 

Research Areas

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