[1764-84 Goermans 3-4 view] [University of Edinburgh]

Russell Collection of Early
Keyboard Instruments

St Cecilia's Hall, Niddry Street, Cowgate, Edinburgh EH1 1LJ


[HD5-JG1763.29 Harpsichord]
HD5-JG1763.29: Double-manual harpsichord,
Jean Goermans/Pascal Taskin. Paris, 1763/83-84.


DATA SHEET
DOUBLE-MANUAL FRENCH HARPSICHORD
JEAN GOERMANS/PASCAL TASKIN, PARIS 1764/83
Russell Collection, Catalogue No HD5-JG1763.29

Signature: "Fait par Pascal Taskin a Paris 1783" on the namebatten; "Refait par Pascal Taskin a Paris 1784" stamped with metal die stamps on the wrestplank. There is the date "1764" on the soundboard.


Rose: Initials: "IC" changed from "IG" (the author of this instrument has been identi-fied as Jean Goermans by Sheridan Germann). Diameter: 83-85. Location: 200 centre to the spine; 302 centre to the gap.


Scantlings:

Element Length Height* Thickness** Wood
Spine: 2365 261 25.0-23.5 poplar
Cheek: 685 261 25.4(ave.) poplar
Bentside: 1671 260 15.1-15.3 poplar
Tail: 310 262 15-16 poplar
Baseboard: --- --- Flemish style poplar and lime

*This is the height of the case boards themselves and does not include the thickness of the baseboard.
**Repeated measurements are taken at the front and the rear part of the instrument respectively.

Case width at the gap: Inside: 888. Outside: 939
Soundboard/wrestplank to top of the case: 53-58
Nameboard thickness: 10.0-10.4

Keyboard:
Compass: Compass: F1 to f³, 61 notes.
3-octave span: 480
Total width of keyboard at the natural fronts: 821 (u.m.); 817 (l.m.)


Element Upper manual Lower manual
Sharp length: 60.7 72.6
Naturals head length: 34.9 34.9
Length of keylevers: 347 524
Balance point to front of natural: 146 229

Disposition:


Plucking
Direction
Pitch
Back Row:
(peau de buffle)
8'
Third Row: 8'
Second Row: 4'
Front Row: 8'

There is the usual French shove coupler and a genouillSre to operate the registers.

Stop lever and genouillère arrangement:
The buff stop lever is in the middle of the keywell above the upper-manual keyboard:


Each of the genouillère knee pommels engages in the lowered position, but can be hitched and held in the up, disengaged position:

Position which engages the register
D
machine
swell
OC
4'
G
long 8'
(dogleg)
B
peau de buffle
---
lower
peau de buffle jacks

Note: The arrow direction indicates the position which engages the register.

Scalings:

Long 8' 4'

String length Plucking Point String length Plucking Point
142 80 70 25
184 87 84 26
271 98 123 30
366 105 169 35
550 113 263 44
713 124 351 50
f 993 138 509 60
c 1207 148 637 68
F 1532 162 838 77
C 1727 174 989 84
F1 1835 193 1184 96

Width of the string band from the 8' long F1 to the 8' short f³: 826.


Wrestplank gauge markings:

8' 4 4' 6
00 - F1 & F1 G & G 2 - F1 & F1 B to d
0 - G1 & G1 5 - A to B 3 - G1 - A1 7 - e to a
1 - A1 to B1 5 - c to e 4 - B1 to C 8 - b to f¹
2 - C to D 6 - f to g 4 - C to E 9 - g1 to f²
2 - E & E 7 - a to f¹ 5 - E to F 10 - f² to f³
3 - F & F 8 - g¹ to f² 6 - G to A

9 - g² to f³

These gauge markings are stamped in the wood of the wrestplank, and appear to date from the 1783/84 alteration by Taskin.

Soundboard wood quality:
Maximum number of 39 rings per 2.5 cms near g².
Minimum number of 12 rings per 2.5 cms near d.

Pin dimensions:

8':
Element Bridge Pins Nut Pins Hitch Pins Back-Pins Tuning Pins*
Diameter: 1.0 1.0 1.8 1.3 4.2
Height: 3.1 3.1 5.3 --- 42
Material: brass brass brass brass iron

4':
Element Bridge Pins Nut Pins Hitch Pins Back-Pins Tuning Pins
Diameter: 1.0 1.0 1.8 1.0 3.8
Height: 3.9 3.0 5.4 --- 40
Material: brass brass brass brass iron

*The present tuning pins are modern replacements;
these measurements are taken from the 1788 double-manual harpsichord by Pascal Taskin in the Castello Sforzesco, Milan.

Total length of the tuning pins: 8': 53; 4': 50.*
The 8' bridge is back-pinned from F1 to long f¹ inclusive; the 4' is back-pinned F1, B

Keyboard pin dimensions:

Element Balance pins Key-tail pins

u.m. l.m. u.m. l.m.
Diameter: 2.0 2.0 1.6 1.3
Height/Length: 20 23½ 33½ 5.3
Material: iron iron iron brass

Bridge and nut dimensions:






F1 C c

a 18.0 20.6 18.6 16.7 15.3 12.3 12.2 = height
8' bridge: b 19.3 20.5 18.2 16.1 15.2 13.3 11.3 = width at base

c 6.1 5.5 5.7 5.0 4.6 4.9 3.9 = top slope











a 7.2 7.6 7.4 6.9 6.3 5.8 5.8 = height
4' bridge: b 11.5 11.9 11.9 11.1 10.1 9.4 8.7 = width at base

c 4.5 4.0 3.7 3.7 4.2 3.5 3.4 = top slope



F1 c

a 13.2 12.3 11.7 9.3 = height
8' Nut: b 18.3 16.6 15.1 10.0 = width at base

c 7.9 5.7 4.8 5.1 = top slope








a 7.8 8.0 7.1 5.6 = height
Octave Nut: b 12.6 12.3 11.6 11.6 = width at base

c 8.2 7.0 5.0 3.1 = top slope

Soundboard wood quality:
Maximum number of 24 rings per 2.5 cms near f¹.
Minimum number of 9 rings per 2.5 cms between rose and gap.

Materials:

Section Material
Wrestplank: oak
Wrestplank veneer: fir or spruce
Namebatten: poplar
Upper belly rail: fir or spruce
Keyblocks: marquetry over spruce
Jacks: pear(not original)*
Tongues: holly(not original)*
Jackslides: Lime topped with leather
Lower guides: lime topped with leather
Keylevers: lime
Lower-manual keyframe: polar
Upper-manual keyframe: poplar
Naturals: ebony
Sharps: black-stained sorbus topped with bone slips
Key arcades: box
Jackrail: lime
Balance rails: walnut
Keyguide system: French (see Hubbard Plate XI)
8' Bridge: cherry
4' Bridge: beech
8' Nut: beech
4' Nut: sorbus or pear
Soundboard: fir
Liners: poplar
Cutoff bar: lime
Soundbars: lime and poplar
Soundboard moulding: walnut
4' hitchpin rail: poplar
Internal framing: pine and poplar
Lid: lime?
Rose: Lead (?small amount of tin)
Stand: pine, lime and oak
*Note: the present jacks are by Dolmetsch.

Decoration:
The soundboard is painted with flowers and a bird, but is lacking its original arabesques. The inside of the case is painted in red vermilion and decorated with chinoiserie in bronze powder. The outside of the case and stand is lacquered in black with the surfaces broken into panels with gold-coloured bronze-powder lines. The outside of the cheek, bentside, tail and lid have raised chinoiserie utilising a number of different colours of bronze powder.

Biography of Jean Goermans and Pascal Taskin:
Jean Goermans was the founder of a family of harpsichord and piano builders, originally of Flemish origin. He came to Paris and lived on the rue de la Verrerie, possibly at the same time that Pascal Taskin was working there for Blanchet. He had at least seven children and suffered extreme financial hardship as a result of the expenses of their education. Some of these children became musicians and stringed keyboard instrument builders.

Pascal Taskin, was born in Theux in what is now Belgium, and therefore also came from near the Flemish region. He apprenticed in the workshops of François-Ètienne Blanchet, and married Blanchet's widow after Blanchet's death in 1766. He was the court harpsichord builder to both Louis XV and Louis XVI, and much of his activity involved the ravalement of instruments by the Ruckers and Couchets and also, as here, in the modernisation of the instruments of other French builders.



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