Signature: "Fait par Pascal Taskin a Paris 1783" on the namebatten; "Refait par Pascal Taskin a Paris 1784" stamped with metal die stamps on the wrestplank. There is the date "1764" on the soundboard.
Rose: Initials: "IC" changed from "IG" (the author of this instrument has been identi-fied as Jean Goermans by Sheridan Germann). Diameter: 83-85. Location: 200 centre to the spine; 302 centre to the gap.
Scantlings:
| Element | Length | Height* | Thickness** | Wood |
|---|---|---|---|---|
| Spine: | 2365 | 261 | 25.0-23.5 | poplar |
| Cheek: | 685 | 261 | 25.4(ave.) | poplar |
| Bentside: | 1671 | 260 | 15.1-15.3 | poplar |
| Tail: | 310 | 262 | 15-16 | poplar |
| Baseboard: | --- | --- | Flemish style | poplar and lime |
Case width at the gap: Inside: 888. Outside: 939
Soundboard/wrestplank to top of the case: 53-58
Nameboard thickness: 10.0-10.4
Keyboard:
Compass: Compass: F1 to f³, 61 notes.
3-octave span: 480
Total width of keyboard at the natural fronts: 821 (u.m.); 817 (l.m.)
| Element | Upper manual | Lower manual |
|---|---|---|
| Sharp length: | 60.7 | 72.6 |
| Naturals head length: | 34.9 | 34.9 |
| Length of keylevers: | 347 | 524 |
| Balance point to front of natural: | 146 | 229 |
Disposition:
| Plucking Direction |
Pitch | |
|---|---|---|
| Back Row: | ![]() (peau de buffle) |
8' |
| Third Row: | ![]() |
8' |
| Second Row: | ![]() |
4' | Front Row: | ![]() |
8' |
There is the usual French shove coupler and a genouillSre to operate the registers.
Stop lever and genouillère arrangement:
The buff stop lever is in the middle of the keywell above the upper-manual keyboard:
Each of the genouillère knee pommels engages in the lowered position, but can be hitched and held in the up, disengaged position:
| Position which engages the register | ||||
|---|---|---|---|---|
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| D machine swell |
OC 4' |
G long 8' (dogleg) |
B peau de buffle |
--- lower peau de buffle jacks |
Note: The arrow direction indicates the position which engages the register.
Scalings:
| Long 8' | 4' | |||
|---|---|---|---|---|
| String length | Plucking Point | String length | Plucking Point | |
| f³ | 142 | 80 | 70 | 25 |
| c³ | 184 | 87 | 84 | 26 |
| f² | 271 | 98 | 123 | 30 |
| c² | 366 | 105 | 169 | 35 |
| f¹ | 550 | 113 | 263 | 44 |
| c¹ | 713 | 124 | 351 | 50 |
| f | 993 | 138 | 509 | 60 |
| c | 1207 | 148 | 637 | 68 |
| F | 1532 | 162 | 838 | 77 |
| C | 1727 | 174 | 989 | 84 |
| F1 | 1835 | 193 | 1184 | 96 |
Width of the string band from the 8' long F1 to the 8' short f³: 826.
Wrestplank gauge markings:
| 8' | 4 | 4' | 6 |
|---|---|---|---|
00 - F1
& F 1 |
G & G![]() |
2 - F1
& F 1 |
B to d |
0 - G1 & G 1 |
5 - A to B | 3 - G1 - A1 | 7 - e to a |
| 1 - A1 to B1 | 5 - c to e | 4 - B 1 to C |
8 - b to
f ¹ |
| 2 - C to D | 6 - f to g ![]() |
4 - C to E![]() |
9 - g1 to f² |
2 - E & E |
7 - a to f ¹ |
5 - E to F![]() |
10 - f ² to f³ |
3 - F & F![]() |
8 - g¹ to f ² |
6 - G to A | |
| 9 - g² to f³ |
These gauge markings are stamped in the wood of the wrestplank, and appear to date from the 1783/84 alteration by Taskin.
Soundboard wood quality:
Maximum number of 39 rings per 2.5 cms near g².
Minimum number of 12 rings per 2.5 cms near d.
Pin dimensions:
| Element | Bridge Pins | Nut Pins | Hitch Pins | Back-Pins | Tuning Pins* |
|---|---|---|---|---|---|
| Diameter: | 1.0 | 1.0 | 1.8 | 1.3 | 4.2 |
| Height: | 3.1 | 3.1 | 5.3 | --- | 42 |
| Material: | brass | brass | brass | brass | iron |
| Element | Bridge Pins | Nut Pins | Hitch Pins | Back-Pins | Tuning Pins |
|---|---|---|---|---|---|
| Diameter: | 1.0 | 1.0 | 1.8 | 1.0 | 3.8 |
| Height: | 3.9 | 3.0 | 5.4 | --- | 40 |
| Material: | brass | brass | brass | brass | iron |
Total length of the tuning pins: 8': 53; 4': 50.*
The 8' bridge is back-pinned from F1 to long
f
¹ inclusive;
the 4' is back-pinned F1, B
Keyboard pin dimensions:
| Element | Balance pins | Key-tail pins | ||
|---|---|---|---|---|
| u.m. | l.m. | u.m. | l.m. | |
| Diameter: | 2.0 | 2.0 | 1.6 | 1.3 |
| Height/Length: | 20 | 23½ | 33½ | 5.3 | Material: | iron | iron | iron | brass |
Bridge and nut dimensions:
| F1 | C | c | c¹ | c² | c³ | f³ | |||
|---|---|---|---|---|---|---|---|---|---|
| a | 18.0 | 20.6 | 18.6 | 16.7 | 15.3 | 12.3 | 12.2 | = height | |
| 8' bridge: | b | 19.3 | 20.5 | 18.2 | 16.1 | 15.2 | 13.3 | 11.3 | = width at base |
| c | 6.1 | 5.5 | 5.7 | 5.0 | 4.6 | 4.9 | 3.9 | = top slope | |
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| a | 7.2 | 7.6 | 7.4 | 6.9 | 6.3 | 5.8 | 5.8 | = height | |
| 4' bridge: | b | 11.5 | 11.9 | 11.9 | 11.1 | 10.1 | 9.4 | 8.7 | = width at base |
| c | 4.5 | 4.0 | 3.7 | 3.7 | 4.2 | 3.5 | 3.4 | = top slope |
| F1 | c | c² | f³ | |||
|---|---|---|---|---|---|---|
| a | 13.2 | 12.3 | 11.7 | 9.3 | = height | |
| 8' Nut: | b | 18.3 | 16.6 | 15.1 | 10.0 | = width at base |
| c | 7.9 | 5.7 | 4.8 | 5.1 | = top slope | |
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| a | 7.8 | 8.0 | 7.1 | 5.6 | = height | |
| Octave Nut: | b | 12.6 | 12.3 | 11.6 | 11.6 | = width at base |
| c | 8.2 | 7.0 | 5.0 | 3.1 | = top slope |
Soundboard wood quality:
Maximum number of 24 rings per 2.5 cms near f¹.
Minimum number of 9 rings per 2.5 cms between rose and gap.
Materials:
| Section | Material |
|---|---|
| Wrestplank: | oak |
| Wrestplank veneer: | fir or spruce |
| Namebatten: | poplar |
| Upper belly rail: | fir or spruce |
| Keyblocks: | marquetry over spruce |
| Jacks: | pear(not original)* |
| Tongues: | holly(not original)* |
| Jackslides: | Lime topped with leather |
| Lower guides: | lime topped with leather |
| Keylevers: | lime |
| Lower-manual keyframe: | polar |
| Upper-manual keyframe: | poplar |
| Naturals: | ebony |
| Sharps: | black-stained sorbus topped with bone slips |
| Key arcades: | box |
| Jackrail: | lime |
| Balance rails: | walnut |
| Keyguide system: | French (see Hubbard Plate XI) |
| 8' Bridge: | cherry |
| 4' Bridge: | beech |
| 8' Nut: | beech |
| 4' Nut: | sorbus or pear |
| Soundboard: | fir |
| Liners: | poplar |
| Cutoff bar: | lime |
| Soundbars: | lime and poplar |
| Soundboard moulding: | walnut |
| 4' hitchpin rail: | poplar |
| Internal framing: | pine and poplar |
| Lid: | lime? |
| Rose: | Lead (?small amount of tin) |
| Stand: | pine, lime and oak |
Decoration:
The soundboard is painted with flowers and a bird, but is lacking its original arabesques.
The inside of the case is painted in red vermilion and decorated with chinoiserie in
bronze powder. The outside of the case and stand is lacquered in black with the
surfaces broken into panels with gold-coloured bronze-powder lines. The outside
of the cheek, bentside, tail and lid have raised chinoiserie utilising a number of
different colours of bronze powder.
Biography of Jean Goermans and Pascal Taskin:
Jean Goermans was the founder of a family of harpsichord and piano builders,
originally of Flemish origin. He came to Paris and lived on the rue de la
Verrerie, possibly at the same time that Pascal Taskin was working there
for Blanchet. He had at least seven children and suffered extreme
financial hardship as a result of the expenses of their education.
Some of these children became musicians and stringed keyboard
instrument builders.
Pascal Taskin, was born in Theux in what is now Belgium, and therefore also came from near the Flemish region. He apprenticed in the workshops of François-Ètienne Blanchet, and married Blanchet's widow after Blanchet's death in 1766. He was the court harpsichord builder to both Louis XV and Louis XVI, and much of his activity involved the ravalement of instruments by the Ruckers and Couchets and also, as here, in the modernisation of the instruments of other French builders.
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