[1764-84 Goermans 3-4 view] [University of Edinburgh]

Russell Collection of Early
Keyboard Instruments

St Cecilia's Hall, Niddry Street, Cowgate, Edinburgh EH1 1LJ


[HD4-JK1755.30 Harpsichord]
HD4-JK1755.30: Double-manual harpsichord, Jacob Kirckman.
London, 1755.



DATA SHEET
DOUBLE-MANUAL ENGLISH HARPSICHORD
JACOB KIRCKMAN, LONDON 1755
Russell Collection, Catalogue No HD4-JK1755.30

Signature: "Jacobus Kirckman Fecit Londini 1755" written in pen and ink on the namebatten.

Rose: Initials: IK. Diameter: 71 Location: 221 (centre to spine and to gap).

Scantlings:

Element Length Height Thickness Wood
Spine: 2400 298-305** 15.2-12.8** Oak and walnut veneer
Cheek: 753 300 19.3-18.9** Oak and walnut veneer
Bentside: 1694 300-305** 18.0(ave) Oak and walnut veneer
Tail: 265 305 18.5 Oak and walnut veneer
Baseboard: --- --- 16.0(ave) spruce

*This includes the case veneer which is ~1"mm thick.
**The first measurement relates to the near end of the case part, the second to the

Case width at the gap: Inside: 892; outside: 925
Soundboard/wrestplank to top of the case: 57
Nameboard thickness: 21.3

The insides of the lower edges of the case-sides are rebated to take the base-board. The composite moulding (24 high by 12 thick) around the outside of the bottom edge of the case is not included in the above measurements.

Keyboard:
Compass: five octaves F1,G1 to f³, 60 notes.
3-octave span: 484
Total width of keyboard at the natural fronts: 833.5 (u.m.); 836.5 (l.m.)

Element Upper manual Lower manual
Sharp length: 70 81
Naturals head length: 39 41
Length of keylevers: 398 603
Balance point to front of natural: 183 281

Disposition:


Plucking
Direction
Pitch
Back Row: 4'
Second Row: 8' Dogleg
Third Row: 8'
Lute: 8'

There is no buff stop, and there is no machine or swell.

Stop lever arrangement:

Position which engages the register
Lute 4' long 8'
(dogleg)
short 8'

Note: The arrow direction indicates the position which engages the register.

Scalings:

Long 8' 4'


Plucking Point


String length Dogleg Lute String length Plucking Point
132 48 11 63 46
172 55 12 83 51
257 67 14 126 57
343 75 14 171 62
521 89 18 262 70
690 102 21 345 74
f 971 117 30 487 81
c 1193 131 36 605 85
F 1465 152 49 780 93
C 1635 168 57 905 98
F1 1791 186 68 1054 107

Width of the string band from the 8' long F1 to the 8' short f³: 812


Nut gauge markings:

8' 4'
4 - c² - f³ 4 - b¹ to f³
5 - c¹ - b¹ 5 - b to b¹
6 - f¹ to b 6 - e to b
7 - b to f 7 - g to e
8 - F to A 8 - D to F
9 - D to F 9 - B1
10 - C & C 10 - G1 to A1
11 - B1 & B1 11 - F1
12 - G1 - A1
13 - F1 & G1

These gauge markings are written with pen and ink on the top edge of the nut, and appear to be original.

Pin dimensions:

8':
Element Bridge Pins Nut Pins Hitch Pins Back-Pins Tuning Pins
Diameter: 1.3 1.3 1.8 1.8 4.9
Height: 2.6-3.5 2.6 ~5.5 7.0 ~52
Material: brass brass brass brass iron

4':
Element Bridge Pins Nut Pins Hitch Pins Back-Pins Tuning Pins
Diameter: 1.3 1.3 1.8 1.8 4.9
Height: 2.1-3.1 2.5 ~5.5 7.0 ~51
Material: brass brass brass brass iron

Total length of the tuning pins: 8': ~63; 4': ~64.
The 8' bridge is back-pinned from F1 to long a¹ inclusive; only the 4' notes F1, G1 and G 1 are back-pinned.

Keyboard pin dimensions:

Element Balance pins Key-tail pins
Diameter: 3.4 3.4
Height: ~23 ~19
Material: brass brass

Bridge and nut dimensions






F1/B1 C c

a 19.5 19.5 19.5 18.2 16.1 15.3 15.3 = height
8' bridge: b 15.8 20.0 16.2 16.2 13.0 11.5 10.6 = width at base

c 8.6 9.9 7.7 7.3 6.1 6.2 7.9 = top slope











a 11.3 10.9 10.5 9.4 7.8 7.4 7.4 = height
4' bridge: b 12.1 11.4 10.0 8.6 6.5 5.9 6.0 = width at base

c 5.5 5.2 4.8 4.4 3.2 3.0 3.0 = top slope



F1 c

a 17.7 18.3 17.5 13.6 = height
8' Nut: b 18.6 18.3 16.6 14.4 = width at base

c 9.6 8.2 7.1 6.7 = top slope








a 10.6 9.4 8.5 7.8 = height
4' Nut: b 10.3 9.2 8.7 7.5 = width at base

c 4.9 3.7 3.2 2.7 = top slope

Soundboard wood quality:
Maximum number of 24 rings per 2.5 cms near f¹.
Minimum number of 9 rings per 2.5 cms between rose and gap.

Materials:

Section Material
Wrestplank: oak
Wrestplank veneer: walnut
Namebatten: marquetry over spruce
Upper belly rail: oak
Keyblocks: marquetry over spruce
Jacks: pear
Tongues: 8': F1-A are holly, B-f³ are box; 4': holly throughout
Jackslides: pear
Lower guides: lime?
Keylevers: pine
Lower-manual keyframe: oak board
Upper-manual keyframe: pine stiles and backrail, oak front rail
Naturals: ivory
Sharps: ebony
Key arcades: boxwood moulding
Jackrail: pine with maquetry
Balance rails: oak
Keyguide system: English front guide system with the lower surface of the key levers mortised under the touchplate heads
8' Bridge: beech
4' Bridge: beech
8' Nut: beech
4' Nut: beech
Soundboard: spruce
Liners: pine
Cutoff bar: spruce
Soundbars: spruce
Soundboard moulding: walnut
4' hitchpin rail: spruce
Internal framing: pine
Lid: oak with walnut veneer
Case veneer: walnut
Stand: walnut trestle stand with cabriole legs and ball and claw feet below the stretcher

Decoration:
The keywell, soundwell and jackrail have an elaborate scrollwork marquetry decoration in walnut on a ground of sycamore. The exterior of the case including the spine and both sides of the lid has figured walnut panels surrounded by a cross-banded border. The panels and border are separated by contrasting bands 14.5mm wide of kingwood edged with boxwood lines and incorporating squares in an exotic hardwood every few inches. There are magnificent brass strap-hinges on the lid and lid flap.


Biography of Jacob Kirckman:
Kirckman was born on 4 March, 1710 in Bischweiler in the Alsace, and died in Greenwich in May, 1792. He came to London in the early 1730's, apprenticed himself to Hermann Tabel, who is reputed to have worked with the Couchets in Antwerp, and worked as Tabel's foreman until Tabel's death. Kirckman then married Tabel's widow in 1738 and so inherited all of Tabel's tools and stock-in-trade (as well as Tabel's wife!). Kirckman's instruments exhibit workmanship of the highest quality, and many of his early instruments, like this 1755 harpsichord, are exquisitely decorated with elegant marquetry using woods of contrasting colours.



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