[1764-84 Goermans 3-4 view] [University of Edinburgh]

Russell Collection of Early
Keyboard Instruments

St Cecilia's Hall, Niddry Street, Cowgate, Edinburgh EH1 1LJ


[C3-A1770.33 Clavichord]
C3-A1770.33: Double-Fretted Octave? clavichord, anonymous.
Germany, c.1770.
DATA SHEET
DOUBLE-FRETTED OCTAVE GERMAN CLAVICHORD
ANONYMOUS, GERMAN, c. 1770
Russell Collection, Catalogue No C3-A1770.33

Signature: The instrument is unsigned and undated.


Rose: There is no rose.


Scantlings:

Element Length Height Thickness Wood
Back/Front: 940* 119 113 mahogany on ? pine
End: 335 119 11.0 mahogany on ? pine
Keywell: 699 41 12.5** mahogany on ? pine
Sndbd front: 184 119 11.5 mahogany on ? pine
Lid: 948 219/119 11.0 mahogany
Baseboard:
Flemish style 40.5 ?pine

Inside case dimensions - Length: 917. Width: 310

Soundboard to the top of the case: 32.

Hitchplank to the top of the case: 25½

* not including the moulding ** including the facing veneer

The instrument was originally constructed with a pine case which was later veneered over with mahogany except for the spine. The outside of the lower part of the case is surrounded by a thin mahogany batten about 8mm thick. The case joins appear to be hidden dovetails, and the keywell braces are probably also dovetailed to the front. Originally the instrument was probably about 111mm high before the present mahogany capping piece was added to it.

Fretting:
The treble notes are double fretted leaving the notes a and d free, and in the bass the notes are unfretted from C to B.

Keyboard:
Compass: C - e³, 53 notes. 3-octave span: 476
Total width of keyboard at the natural fronts: 697
Sharp length: 62 Naturals head length: 34½
Length of keylevers: Bass: 249 Treble: ~294
Balance point to front of natural: Bass: 107 Treble: 111

Scalings:


String Length
70
93½
145½
187½
267½
341
f 468
c 570½
F 711
C 820

The instrument is double-strung throughout. The short c² scaling indicates that this instrument should be tuned to a high pitch, but the exact pitch is not clear. Strung in iron it could be tuned to a pitch of R + 8 an octave higher than those clavichords at R or, strung in brass it could be tuned to a pitch of R + 5 a fifth above those clavichords at R. These two pitch possibilities are both referred to clavichords strung in brass and with c² scalings of about 285 to 290mm.

Soundboard gauge markings:
There are no indications of gauge markings on the keys or soundboard. The note names are written beside each pair of tuning pins using the usual German system.

Pin dimensions:

Element Bridge Pins Hitch Pins Tuning Pins
Diameter: 1.34 1.1 3.7
Height: 2.4-3.2 2.5 24-25
Material brass brass iron

Total length of the tuning pins: ?
The bridge is not back-pinned.

Keyboard pin dimensions:

Element Balance Pins
Diameter: 2.4
Height/Length: 16.5
Material: iron


Bridge
C c
a 8.1 8.3 7.2 7.2 7.1 7.2 = height
b 10.8 10.2 10.5 10.3 9.8 10.6 = width at base
c 4.2 3.8 3.9 3.9 4.3 4.5 = top chamfer

Soundboard wood quality:
The soundboard is of fairly even grain with about 30 rings in each 2.5 cms.


Materials:

Section Material
Hitchpin rail: mahogany veneer on oak
Wrestplank: ? oak
Internal framing: pine
Liners: ?
Nameboard: pine with mahogany top, sycamore veneer
Bridge: beech
Naturals: ebony
Sharps: stained ?lime or ?fruitwood topped with ivory
Balance rail: oak
Key guide system: keys are rear-guided by whalebone stripes in a rack
Key arcades: mahogany
Keylevers: lime
Rack: oak
Soundboard: ? spruce
Soundboard moulding: mahogany
Case veneer: mahogany on pine
Soundbars: ? spruce
Stand: there is no stand

Decoration:
Except for the spine the outside of the case is decorate with French polished mahogany veneer with sycamore stringing dividing the surfaces into panels. The inside of the keywell cheeks and the nameboard are decorated in negative with sycamore veneer divided into panels by mahogany stringing. The soundwell is of the coniferous case wood stained dark brown to match the mahogany veneer of the rest of the case. The keylevers are chamfered to the usual ridge carving, with scallops at either end.


Signature and dating:
The clavichord is unsigned and undated. Many features of its construction suggest, that it was originally of German manufacture dating probably from around the end of the seventeenth or the beginning of the eighteenth century. The outer veneer of mahogany is English in style and may date from around the end of the eighteenth century.



Contents | Home Page | List of Instruments



Last updated: 13 October 2000
Web design - pwillis silliw_luap@hotmail.com
© copyright 2000 The University of Edinburgh
For further information regarding this site contact: webmasters@music.ed.ac.uk