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Rens Bod (Netherlands)
A general parsing model for music and language.

Elaine Chew (USA)
The Spiral array: an algorithm for determining key boundaries.

Darrel Conklin (USA)
Representation and discovery of vertical patterns in music.

Roger Dannenberg, Ning Hu (USA)
Discovering musical structure in audio recordings.

Simon Dixon, Werner Goebl, Gerhard Widmer (Austria)
Real time tracking and visualisation of musical expression.

Perfecto Herrera, Alexandre Yeterian, Fabien Gouyon (Spain)
Automatic classification of Drum Sounds: a comparison of feature selection methods and classification techniques.

Soh Igarashi, Tomonobu Ozaki, Koichi Furukawa (Japan)
Respirarion reflecting musical expression: Analysis of respiration during musical performance by inductive logic programming.

Tim Horton (UK)
Some formal problems with reductive representation of tonal structure.

Eduardo Reck Miranda (France)
Mimetic development of intonation: a case study of musical evolution.

Francois Pachet (France)
Interacting with a musical learning system: the Continuator.

Aggelos Pikrakis, Sergios Thoedorakis, Dimitris Kamaroto (Greece)
Recognition of isolated musical patterns using hidden markov models.

Dirk-Jan Povel (Netherlands)
A model for the perception of tonal melodies.

Somnuk Phon-Amnuaisuk (Malaysia)
Control language for harmonisation process.

Christian Spevak, Belinda Thom, Karin Hothker (Germany)
Issues in modelling melodic segmentation.

Neta Spiro (UK)
Combining Grammar-based and Memory-based models of Perception of Time signature and Phase.

David Temperley (USA)
A Bayesian approach to key finding.

Giuseppe Buzzanca (Italy)
A Supervised Learning Approach to Musical Style Recognition

Miguel Ferrand, Peter Nelson, Geraint Wiggins (UK)
A Probabilistic Model for Melody Segmentation

Maarten Grachten, Josep-Lluís Arcos, Ramon López de Mantaras (Spain)
A Comparison of Different Approaches to Melodic Similarity

James Ingram (Germany)
The Writing of Style Libraries for Music Notation and Performance

Ozgur Izmirli (USA)
Determination of Tonal Similarity Based on Spectral Diatonic Bases

Declan Murphy (Denmark)
Pattern Play

Paolo Nesi (Italy), David Crombie (Netherlands)
MUSICNETWORK: Bringing music into the multimedia age

Dionysios Politis, Panagiotis Linardis, Nikos Mastorakis (Greece)
The Arity of Delta Prosodic and Musical Interfaces: a metric of complexity for 'vector' sounds

Francis Rousseaux, Alain Bonardi (France)
Will Music Retrieval Over the Web Revolutionise Musicology?

Adam Tee, David Cooper, Des McLernon (UK)
Chord Recognition with Application in Melodic Similarity

Hermann Vetter (Germany)
Individual Differences in Timing - some heuristics

Herman Vetter (Germany)
On an Alleged Deadpan Performance

Tomoyoshi Yoshida, Shoichi Takeda, Sayoko Yamamoto (Japan)
The Application of Entrainment to Musical Ensembles