Known in Italy as the cornetto, ...
The mouthpiece in these recordings is the player's own, by Serge Delmas, c 1995.
Specific usage history: Used by Christopher Monk as a playing instrument, latterly as a pattern for new cornetti.
Previous ownership: ex- C.W. Monk collection, ex- P.A.T. Bate collection (1956). Philip Bate thought (1991) that he had bought it in Paris.
Current ownership: On loan to the Collection.
EUCHMI Acquisition number: (3189)
Technical description: Wood; made in two sections, bound together with cord and covered with leather. Finger-holes all substantially undercut.
Inscriptions: No inscriptions.
Repair history: Silver reinforcing bands probably a later addition by Christopher Monk to hold the instrument together.
Usable pitch: A4 = c 465 Hz.
CAMPBELL, D.M., 1999. Intonation et resonances acoustiques des cornets a bouquin et des serpents. In Laurent Espié and Vincent Gibiat, eds, Colloque acoustique et instruments anciens: factures musiques et science, 17-18 novembre 1998; Paris: Musé de la Musique, 1999, pp.125-137.
Brass Bulletin (1/1994) No. 85 p.17
Workshop drawing by R. Parks published by the Collection, 1993
All material on this website is
copyright.
© Edinburgh University Collection of Historic Musical Instruments, 1999-2003, 2008.
This page updated: 29.10.08