In the late 17th&bnsp;century, the transverse flute was transformed from a one-piece, keyless, cylindrical-bore instrument into one with a conical bore, one key and in three sections. In the early 18th&bnsp;century, the body section of the instrument was further divided to become the baroque flute.
(Rendall Collection).
EUCHMI Acquisition number: (15)
Technical description: Boxwood; 4 sections; brass key; 4 ivory ferrules plus cap; circular embouchure-hole.
Inscriptions: Stamped with small fleur-de-lis and "VILLARS". On upper body also stamped "3" indicating that this is one of several corps-de-rechange (of which only this one is in this Collection).
Faults: Slight cracks in sockets and ferrules; top tenon damaged.
Repair history: Key is probably a replacement; upper body has been shortened at both ends and is now at least 7mm shorter than it originally was; embouchure hole probably enlarged.
Usable pitch: A4 = c 439 Hz (c 439 Hz).
Performance characteristics: Range: D4 - A6. Plays well throughout range with a warm sound.
GALPIN SOCIETY, 1968. European Musical Instruments. Exhibition; Edinburgh, August-September 1968, catalogue, No. 47
POWELL, A. and LASOCKI, D., 1995. Bach and the Flute: the Players, the Instruments, the Music. Early Music, XXIII (1), pp.23, 29
TROMLITZ, J.G., 1800. The Keyed Flute, translated and edited by A. Powell. Oxford: Clarendon Press, 1996, p.194.
Workshop drawing by J.-F. Beaudin published by the Collection 1987.
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This page updated: 29.10.08