| Pochettes and Kits |
| (331) | Pochette [Kit]. | Jacques du Mesnil, Paris, c 1660. |
| (332) | Pochette [Kit]. | 17th century. |
| (1071) | Kit. | Possibly England, c 1820. |
| (952) | Kit. | Probably England, 18th century. |
| (3559) | Kit. | Possibly Britain, probably 19th century. |
| (953) | Kit. | Probably 18th century. |
| (958) | Kit. | Ascribed to Betts, England, c 1800. |
| (1060) | Kit. | Morrison, probably late 18th century. |
| (754) | Walking stick violin. | Mid 19th century. |
| (3800) | Violin. | Austrian or northern Italian. |
| (350) | Violin. | 19th century. |
| (2505) | Violin. | 19th century. |
| (2453) | Violin. | Scotland, 19th century. |
| (2285) | Violin. | A.O. Hunter, Edinburgh, 1869. |
| (2412) | Violin. | Ruddiman, Aberdeen, late 18th century {298}. |
| (335) | Violin. | Late 18th century. |
| (347) | Violin. | Attributed to Joannes Tononi, Bologna, Italy, c 1700. |
| (324) | Violin. | Labelled Nicholas Lupot, 19th century. |
| (323) | Violin. | E. Drybrough-Smith, St Leonards-on-Sea, 1935 {6}. |
| (3015) | Violin. | Matthew Hardie, Edinburgh, 1805. |
| (1772) | Violin, baroque form. | England or Scotland, c 1720. |
| (345) | Violin. | 19th century. |
| (326) | Violin. | Attributed to the Hornstainer family, Mittenwald, 18th century. |
| (967) | Violin. | Possibly Nicolas, Mirecourt, c 1830. |
| (2005) | Violin. | J. Sandy, Alyth, probably c 1810. |
| (2366) | Violin. | Probably Saxony, c 1880. |
| (1618) | Violin. | 19th century. |
| (351) | Violin. | 19th century. |
| (348) | Violin. | 19th century. |
| (325) | Violin. | France, 1760-80. |
| (2367) | Violin. | 2nd half of the 19th century. |
| (750) | Violin. | Ascribed to Jomier, Lyon, 1825. |
| (3040) | Violin. | James Hardie & Sons, Edinburgh, 1891. |
| (1005) | Violin. | F. Chanot, Paris, c 1820. |
| Violas, Cellos and Basses |
| (334) | Viola. | Richard Duke, London, 1779. |
| (772) | Viola. | Labelled Gio. Maria Ceruti, Cremona, 1923. |
| (1056) | Viola, converted from viol, 4 strings (originally 6). | Joann Andreas Kämbl, Munich, 1736. |
| (1057) | Viola, converted from viol, 4 strings (originally 5). | Probably 17th century. |
| (1578) | Viola. | Circa 1880. |
| (1723) | Violoncello. | James Gilchrist, Glasgow, 1892 {59}. |
| (1604) | Violoncello. | Dewar, Scotland, Late 18th or early 19th century. |
| (4133) | Double bass, 3-string. | |
| (1104) | Double bass, 4-string. | Leopold Widhalm, Nuremberg, 1753. |
| (352) | Double bass, 4-string. | 19th century. |
| The New Violin Family |
| (2791) | Treble violin of the New Violin Family [British nomenclature, sopranino violin], tuned G4; D5; A5; E6. | Carleen Hutchins, Montclair, New Jersey, 1973 {119}. |
| (2792) | Soprano violin of the New Violin Family [British nomenclature, descant violin], tuned C4; G4; D5; A5. | Carleen Hutchins, Montclair, New Jersey, 1968 {48}. |
| (2793) | Mezzo violin of the New Violin Family [British nomenclature, treble violin], tuned G3; D4; A4; E5. | Carleen Hutchins, Montclair, New Jersey, 1972 {105}. |
| (2794) | Alto violin of the New Violin Family [British nomenclature, alto violin], tuned C3; G3; D4; A4. | Carleen Hutchins, Montclair, New Jersey, 1974 {126}. |
| (2795) | Tenor violin of the New Violin Family [British nomenclature, tenor violin], tuned G2; D3; A3; E4. | Carleen Hutchins, Montclair, New Jersey, 1971 {148}. |
| (2796) | Baritone violin of the New Violin Family [British nomenclature, baritone violin], tuned C2; G2; D3; A3. | Carleen M Hutchins, Montclair, New Jersey, 1973 {164}. |
| (2797) | Bass violin of the New Violin Family [British nomenclature, bass violin], tuned A1; D2; G2; C3. | Carleen Hutchins, Montclair, New Jersey, 1974 {170}. |
| (2798) | Contrabass violin of the New Violin Family [British nomenclature, contrabass violin], tuned E1; A1; D2; G2. | Donald L. Blatter and Carleen M. Hutchins, Montclair, New Jersey, U.S.A, 1963-4 {64}. |
| Violas d'Amore and Cither Viols |
| (333) | Viola d'amore or treble viol, 7 bowed and 0 sympathetic strings. | Germany(?), c 1720(?). |
| (3365) | Viola d'amore, 6 bowed and 6 sympathetic strings. | Joseph Albanus, Botzen, Tirol, 18th century. |
| (3382) | Viola d'amore, 7 bowed and 7 sympathetic strings. | Thomas Hulinzky, Prague, 1782. |
| (1011) | Viola d'amore, 7 bowed and 7 sympathetic strings. | Probably England, 1st half of 18th century. |
| (4080) | Viola d'amore. | G. Saint-George. |
| (951) | Cither viol, 6-course: 10 strings: 2 + (4 x 2). | England or Scotland, 18th century. |
| (3371) | Cither viol, 6-course: 9 strings: 3 + (3 x 2). | England, c 1760. |
| Hurdy Gurdies |
| (292) | Hurdy gurdy, 27 keys; 2 chanterelle and 4 drone strings. | Britain or Low countries (?), possibly early 17th century. |
| (1052) | Hurdy gurdy, 23 keys; 2 chanterelle and 4 drone strings. | Ouvrard, France, Late 18th century. |
| (287) | Hurdy gurdy, 23 keys; 1 chanterelle and 5 drone strings. | Colson, Mirecourt, c 1825. |
| (1053) | Hurdy gurdy, 23 keys, 2 chanterelle and 4 drone strings. | I. Lambert, Paris, 18th century. |