University of Edinburgh logo University of Edinburgh


ISMA '97 logo

INTERNATIONAL SYMPOSIUM ON MUSICAL ACOUSTICS

19-22 August 1997

Web URL: http://www.music.ed.ac.uk/euchmi/isma/mep.html

Return to ISMA '97 Home Page

Programme

Monday 18th August
          Welcome Reception
Tuesday 19th August
Bowed String Instruments Bowed and Plucked String Instruments Musical Instrument Materials Keyboard String Instruments Stringed Instruments
[poster session]
Percussion
Wednesday 20th August
Stringed Instrument Simulations Simulations of Wind Instrument Reed Instruments Flutes and Organ Pipes Wind Instruments and Simulations
[poster session]
ISMA Public Lecture and Concert
Thursday 21st August
Brass Instruments Modelling of Wind Instruments ISMA Public Lecture and Concert Wind Instruments and Voice Psychoacoustics Symposium Banquet
Friday 22nd August
History of Musical Acoustics Historical and Traditional Wind Instruments Historical and Traditional Stringed Instruments Historical and Traditional Percussion Instruments    

Invited Papers were be given by:-

In addition, lectures open to the public were given by:-


Return to Contents

WELCOMING RECEPTION

Abden House, Pollock Halls, Monday 18th 20:00 - 22:00


Return to Contents

OPENING CEREMONY

Reid Concert Hall, Tuesday 19th 08:45
  Sir Stewart Sutherland, Principal and Vice-Chancellor of the University of Edinburgh
Bernard Berry, President of the Institute of Acoustics and Council Member, European Acoustical Association
Carleen Hutchins, Permanent Secretary of the Catgut Acoustical Society

Return to Contents

BOWED STRING INSTRUMENTS

Session K1, S1 - Reid Concert Hall, Tuesday 19th 09:00
  Bow Notes (invited paper)
Knut Guettler
Norwegian State Academy of Music, Oslo, Norway
  The Bouncing Bow - some Important Parameters
Anders Askenfelt
Department of Speech, Music and Hearing, Royal Institute of Technology, Stockholm, Sweden

Knut Guettler
Norwegian State Academy of Music, Oslo, Norway
  Mobility at the Violin Bridge and Bridge Properties
Erik V. Jansson, Benedykt Niewczyk and Lars Frydén
Department of Speech, Music and Hearing, Royal Institute of Technology (KTH), Stockholm, Sweden
  Transient Response of the Violin Body when Impacted at a String
Nils-Erik Molin, Staffan Schedin and Per Gren
Division of Experimental Mechanics, Luleå University of Technology, Sweden

Erik V. Jansson
Department of Speech, Music and Hearing, Royal Institute of Technology (KTH), Stockholm, Sweden
  Normal Modes of Vibration in Violins
Mark Roberts and Thomas D. Rossing
Physics Department, Northern Illinois University, DeKalb, U.S.A.

Return to Contents

BOWED AND PLUCKED STRING INSTRUMENTS

Session S2 - Reid Concert Hall, Tuesday 19th 11:20
  The Acoustics of "A0 - B0 Mode Matching" in the Violin
James Woodhouse
University of Cambridge, U.K.
  Measurement of Bow Force
Robert T. Schumacher and Stephen Garoff
Department of Physics, Carnegie Mellon University, Pittsburgh, U.S.A.
  Evaluation of Acoustic Quality of Plucked Strings by means of Physical and Geometric Parameters
Edgar Lieber
Plauen, Germany
  The String-Finger Interaction in the Classical Guitar: Theoretical Model and Experiments
Maria Pavlidou and Bernard E. Richardson
Department of Physics and Astronomy, University of Wales, Cardiff, U.K.
  Mental Modelling for Guitar Acoustics
Trevor Semple
London Guildhall University, London, U.K.

Return to Contents

MUSICAL INSTRUMENT MATERIALS

Session K2 - Reid Concert Hall, Tuesday 19th 14:00
  Materials Selection for Musical Instruments (invited paper)
Claire Y. Barlow
Cambridge University Engineering Department, U.K.

Return to Contents

KEYBOARD STRING INSTRUMENTS

Session S3 - Reid Concert Hall, Tuesday 19th 14:30
  Grand Piano and Upright Piano: Differences in Sound and Radiation
Ingolf Bork
Physikalisch-Technische Bundesanstalt Braunschweig, Germany
  Tuning of FEM Models of Soundboards by the Results of Experimental Modal Analysis
Alois Raffaj
Továrna na Piana, a.s., Hradec Králové, Czech Republic
  The Double-Pendulum Piano Action
A.Y. Gokhshtein
Russian Academy of Sciences, Moscow, Russia
  Change in the Characteristics of Piano Tones under Different Concert Pitches
Tomoyasu Taguti and Osamu Tokuyama
Faculty of Science, Konan University, Higashinada, Kobe, Japan

Return to Contents

STRINGED INSTRUMENTS

Poster Session P1 - Reid Concert Hall, Tuesday 19th 15:50 and Playfair Library 16:30
  Introduction to Poster Session 1
Bernard E. Richardson
Department of Physics and Astronomy, University of Wales, Cardiff, U.K.
  On the Kinetics of Spiccato Bowing
Knut Guettler
Norwegian State Academy of Music, Oslo, Norway

Anders Askenfelt
Department of Speech Communication and Music Acoustics, Royal Institute of Technology, Stockholm, Sweden
  Listeners' Judgements and Acoustic Properties of Violins
Georg Heike
Phonetics Institute, University of Cologne, Germany
  Friction, Damping and Bowed String Pitch and Timbre
Alison J. McMillan
Rolls Royce plc, Derby, U.K.
  Bowed String Instruments: F-Holes and Bass Bar Effects on Plate Tuning
Anne Houssay
Drancy, France
  Violin Tones Spectra and their Relationship to Perceived Sound Quality
J. Stepanek, Z. Otcenasek, V. Syrovy
Music Faculty, Academy of Performing Arts, Prague, Czech Republic

A. Melka
Acoustics Prague, Prague, Czech Republic
  Starting Transients in Violins and the Elusive Body Resonance C3
Erik V. Jansson and Anders Askenfelt
Department of Speech, Music and Hearing, Royal Institute of Technology, Stockholm, Sweden
  Measuring the Physical Properties of Violin Bows
John S. Lamancusa
Department of Mechanical Engineering, Penn State University, University Park, Pennsylvania, U.S.A.
  Material Dependence of the Vibrational Behaviour of the Guitar's Plate
M.J. Elejabarrieta
Dpto. de Fisica Aplicada II, Universidad del Páis Vasco, Bilbao, Spain
A. Ezcurra
Dpto. de Fisica - Universidad Pública de Navarra, Pamplona, Spain
  On the Relationships between the Response of the Guitar Body and the Instrument's Tone Quality
Howard Wright and Bernard E. Richardson
Department of Physics and Astronomy, University of Wales, Cardiff, U.K.
  Holographic Studies of Cello Vibrations
Eric Bynum and Thomas D. Rossing
Physics Department, Northern Illinois University, DeKalb, U.S.A.
  The Problem with Veneers on Harps: Practical and Theoretical Considerations
Alexander Bell and Sarah Charlesworth
Centre for Combined Studies, Heriot-Watt University, Edinburgh, U.K.
  Two Dimensional Measurement of a Piano String Vibration
Keinosuke Nagai, Hideyuki Tanaka and Koichi Mizutani
Institute of Applied Physics, University of Tsukuba, Tsukuba, Ibaraki, Japan
  Fat Strings
Douglas E. Nunn
School of Engineering, Durham University, U.K.
  Modal Analysis of an Upright Piano and its Case
Taro Mori and Ingolf Bork
Physikalisch-Technische Bundesanstalt Braunschweig, Germany

Return to Contents

PERCUSSION

Session S4 - Reid Concert Hall, Tuesday 19th 17:30
  Active Control of Timbre Radiated by a Fluid-Loaded Percussion Instrument
Douglas Rollow, David C. Swanson, and Courtney B. Burroughs
Graduate Program in Acoustics, Pennsylvania State University, U.S.A.
  Measurement of Performance Responses Differences using Straight and Bent Tube Marimba Resonators
Barry J. Larkin
Department of Music, Iowa State University, Ames, U.S.A.

Ronald A. Roberts
Aerospace Engineering and Engineering Mechanics, Iowa State University, Ames, U.S.A.
  Transient Wave Propagation in a Cymbal
Staffan Schedin and Per O. Gren
Division of Experimental Mechanics, Luleå University of Technology, Sweden

Thomas D. Rossing
Physics Department, Northern Illinois University, DeKalb, U.S.A.
  The Effects of a Resonator Tube on the Timbre and Directivity of Sound Radiated from a Vibrating Bar
Brian C. Tuttle and Courtney B. Burroughs
Graduate Program in Acoustics, The Pennsylvania State University, U.S.A.

Return to Contents

STRINGED INSTRUMENT SIMULATIONS

Session S5 - Reid Concert Hall, Wednesday 20th 08:30
  Calibration of Physical Models Using Artificial Neural Networks with Application to Plucked String Instruments
Ali Taylan Cemgil
Department of Computer Engineering, Bogaziçi University, Istanbul, Turkey

Cumhur Erkut
Department of Electronic and Communication Engineering, Yildiz Technical University, Istanbul, Turkey
  A Physical Model of Stiff Strings
Italo Testa, Sergio Cavaliere and Gianpaolo Evangelista
Department of Physical Sciences, University "Federico II", Naples, Italy
  Numerical Simulations of Stringed Instruments: Modeling of String-Plate and Plate-Cavity Coupling
Christophe Lambourg, Mathieu Huet and Antoine Chaigne
ENST, Departement SIGNAL, CNRS URA 820, Paris, France
  Comparison of String Vibration Spectra Excited by a Different Piano Hammers
Anatoli Stulov
Department of Mechanics and Applied Mathematics, Institute of Cybernetics, Tallinn, Estonia
  Parameter Synthesis of Quality Piano Tones in Real Time using Programmable Digital Signal Processors
Paul A. Wheeler and David H. Woodcox
Electrical and Computer Engineering Department, Utah State University, Logan, U.S.A.
  Automated Parameter Extraction for Plucked String Synthesis
Tero Tolonen and Vesa Välimäki
Laboratory of Acoustics and Audio Signal Processing, Helsinki University of Technology, Espoo, Finland

Return to Contents

SIMULATIONS OF WIND INSTRUMENTS

Session K3 - Reid Concert Hall, Wednesday 20th 11:00
  Time-domain Modeling and Computer Simulation of an Organ Flue Pipe (invited paper)
Seiji Adachi
ATR Human Information Processing Research Laboratories, Kyoto, Japan

Return to Contents

REED INSTRUMENTS

Session S6 - Reid Concert Hall, Wednesday 20th 11:30
  Interactions of Both Reeds in a Channel of a Diatonic Harmonica
Laurent Millot, Christian Cuesta and Claude Valette
Laboratoire d'Acoustique Musicale, Université Pierre et Marie Curie, Paris, France
  Why is a Saxophone Louder than a Clarinet
Jean-Pierre Dalmont [1] and Kees Nederveen [2]
1. Institut d'Acoustique et de Mécanique (LAUM, UMR CNRS 6613) Av. O. Messiaen, BP 535, 72017 Le Mans Cedex, France
2. Pijnacker, The Netherlands
  Blowing Pressures in Reed Woodwinds
Leonardo Fuks and Johan Sundberg
Music Acoustics PhD Programme, Royal Institute of Technology, Stockholm, Sweden
  An Experimental Bassoon
Edgar Brown
Department of Physics, King's College, London, U.K.

Return to Contents

FLUTES AND ORGAN PIPES

Session K4, S7 - Reid Concert Hall, Wednesday 20th 14:00
  Effect of Voicing Steps on the Stationary Spectrum and Attack Transient of a Flue Organ Pipe (invited paper)
J. Angster [1], G. Paál [2], W. Garen [2] and A. Miklós [1]
1. Fraunhofer-Institut für Bauphysik, Stuttgart, Germany
2. Fachhochschule Ostfriesland, Emden, Germany
  Sound and Flow in the Mouth of Flue Organ Pipes, Part 1: Fully Developed State
G. Paál [1], J. Angster [2], W. Garen [1] and & A. Miklós [2]
1. Fachhochschule Ostfriesland, Emden, Germany
2. Fraunhofer Institut für Bauphysik, Stuttgart, Germany
  Sound Intensity Measurements of an Open Organ Pipe
Anna Runnemalm
Division of Experimental Mechanics, Luleå University of Technology, Sweden

Örjan Johansson
Environment Technology, Luleå University of Technology, Sweden
  Acoustic Behaviour of Chimney Pipes
M.P. Verge [1], R.L.M. Schoffelen [2], A.P.J. Wijnands [2], A. Hirschberg [2], and C. Box [2]
1. Laboratoire d'Acoustique Musicale, Université Paris VI, France
2. Department of Physics, Eindhoven University of Technology, The Netherlands.
  The Acoustic Impedance of the Boehm Flute: Standard and some Non-Standard Fingerings
John R. Smith, Nathalie Henrich and Joe Wolfe
School of Physics, University of New South Wales, Sydney, Australia

Return to Contents

WIND INSTRUMENTS AND SIMULATIONS

Poster Session P2 - Reid Concert Hall, Wednesday 20th 15:50 and Playfair Library 16:30
  Introduction to Poster Session 2
A. Hirschberg
Department of Physics, Eindhoven University of Technology, The Netherlands.
  Optical techniques for measuring sound and flow fields in musical instrument research
C.A. Greated, D.B. Hann and D. Murray Campbell
Department of Physics and Astronomy, The University of Edinburgh, U.K.
  Simulations of an Organ Flue Pipe Using an Empirical Jet Deflection Model
Seiji Adachi and Masa-aki Sato
ATR Human Information Processing Research Laboratories, Kyoto, Japan
  Simple Measurements of the Sound Pressure Levels of Pipe Organs
J.R. Oswin
BAeSEMA Ltd, Bristol, U.K.

G.A.A. Rock
Graham Rock Acoustics, Taunton, U.K.
  Sound and Flow in the Mouth of Flue Organ Pipes, Part II: Transient State
G. Paál [1], J. Angster [2], W. Garen [1] and & A. Miklós [2]
1. Fachhochschule Ostfriesland, Emden, Germany
2. Fraunhofer Institut für Bauphysik, Stuttgart, Germany
  Spectral Properties of the Edge Tone of a Flue Organ Pipe
S. Pitsch [1], J. Angster [2], M. Strunz [1] and A. Miklós [2]
1. Institut für Aero- und Gasdynamik, Universität Stuttgart, Germany
2. Fraunhofer Institut für Bauphysik, Stuttgart, Germany
  Effects of Material Choice and Tooling Methods on Structural Modes of Open Organ Pipes
Anna Runnemalm
Division of Experimental Mechanics, Luleå University of Technology, Sweden
  Measurement of Newly Defined Energetic Indicators of the Steady Sound Field inside an Organ Pipe
Domenico Stanzial, Davide Bonsi and Nicola Prodi
CIARM c/o Department of Acoustics, CNR - Cemoter, Cassana, Ferrara, Italy
  Vibration Behaviour of Organ Flue Pipes
Lothar Zipser and Heinz Franke
Hochschule für Technik und Wirtschaft, Dresden, Germany
  Investigation of Jet Motion in Flutes
A. Bamberger and H. Wentsch
University of Freiburg, Germany
  Prediction and Measurements of Exhaled Air Effects in the Pitch of Wind Instruments
Leonardo Fuks
Music Acoustics PhD Programme, Royal Institute of Technology, Stockholm, Sweden
  Measurements of Sounding Frequency as a Function of Blowing Pressure in the Soprano Recorder
Mary Derengowski-Stein
Montclair State University, U. Montclair, New Jersey, U.S.A.
  Signal Analysis of Oboe Vibrato
Stephen Secan [1], Osamu Fujimura [2], and David M. Butler [1]
1. School of Music, The Ohio State University, U.S.A.
2. Department of Speech and Hearing Science, The Ohio State University, U.S.A.

Return to Contents

BRASS INSTRUMENTS

Session K5, S8 - Reid Concert Hall, Thursday 21st 08:30
  Brass Instruments: Theoretical and Experimental Results (invited paper)
Joël Gilbert [1] and Jean-François Petiot [2]
1. Institut d'Acoustique et de Mécanique, Université du Maine, Le Mans, France
2. Institut de Recherche en Cybernétique de Nantes, Nantes, France
  Variabilities in Trumpet Sounds
Matthias Bertsch
Institute für Wiener Klangstil (IWK), University for Music and Performing Art, Vienna
  The Influence of Valve Mechanism on the Microstructure of Slurs Played with Brass Wind Instruments
Gregor Widholm
Institute für Wiener Klangstil (IWK), University for Music and Performing Art, Vienna
  Modeling Viscothermal Wave Propagation in Wind Instrument Air Columns
Maarten O. van Walstijn [1], John S. Cullen [2] and D. Murray Campbell [2]
1. Faculty of Music, University of Edinburgh, U.K.
2. Department of Physics and Astronomy, University of Edinburgh, U.K.

Return to Contents

MODELLING OF WIND INSTRUMENTS

Session S9 - Reid Concert Hall, Thursday 21st 10:20
  Physical Model of the Trombone including Nonlinear Propagation Effects
Régis Msallam, Samuel Dequidt, Stéphan Tassart, and René Caussé
IRCAM, Paris, France
  Model of Trumpet Function: Real-time Simulation and Experiments with an Artificial Mouth
Christophe Vergez and Xavier Rodet
IRCAM, Paris, France
  Scattering Parameters for the Keefe Clarinet Tonehole Model
Gary P. Scavone and Julius O. Smith III
Center for Computer Research in Music and Acoustics (CCRMA), Music Department, Stanford University, Stanford, California, U.S.A.
  Trombone Tone Synthesis Using Measured Lip Openings
William J. Strong
Department of Physics and Astronomy, Brigham Young University, Provo, Utah, U.S.A.
David C. Copley
Caterpillar Co., Peoria, Illinois, U.S.A.
  Physical Modelling based on the Analysis of Real Sounds
P. Guillemain, R. Kronland-Martinet and S. Ystad
CNRS-Laboratoire de Mécanique et d'Acoustique, Marseille, France

Return to Contents

WIND INSTRUMENTS AND VOICE

Session S10 - Reid Concert Hall, Thursday 21st 14:30
  Real Time Acoustic Travelling Waves Separation in a Tube
Jean Guérard and Xavier Boutillon
Laboratoire d'Acoustique Musicale, Université Paris VI, France
  Experiments with a Tone Hole of Continuously Adjustable Size and Position
Donald E. Hall and John Schreiner
Department of Physics, California State University, Sacramento, U.S.A.
  Length Corrections for Woodwind Tone Holes
C.J. Nederveen
Pijnacker, The Netherlands
  Numerical Solution of the Horn Equation for Arbitrary Contours
Robert W. Pyle, Jr.
Cambridge, Massachusetts, U.S.A.
  Wave Propagation in Acoustic Horns using Modal Decomposition
N. Amir
Center for Technological Education, Holon, Israel
V. Pagneux and J. Kergomard
Laboratoire d'Acoustique de l'Université de Maine, Le Mans, France
  On the Quantitative Relationship between Subglottal Pressure, Vocal Cord Tension, and Glottal Adduction in Singing
Bernd J. Kröger
Phonetics Institute, University of Cologne, Germany

Return to Contents

PSYCHOACOUSTICS

Session S11 - Reid Concert Hall, Thursday 21st 17:00
  Number Theoretical Aspects of Harmony Based on Harmonics and Subharmonics
Alper Gonen [1] and Metin Arik [2]
1. Department of Mathematics, Istanbul Technical University, Maslak, Istanbul, Turkey
2. Department of Physics, Bogazici University, Bebek, Istanbul, Turkey
  Measuring the Human Voice: Analysing Pitch, Timing, Loudness and Voice Quality in Mother/Infant Communication
Stephen N. Malloch [1], David Sharp [2], A. Murray Campbell [2], D. Murray Campbell [2], Colwyn Trevarthen [1]
1. Department of Psychology, University of Edinburgh, U.K.
2. Department of Physics and Astronomy, University of Edinburgh, U.K.
  Further Studies of Pitch Perception in Children
E. Castro-Sierra [1], E. Paredes-Diaz [2], M. Gómez-Gama [3] and S.J. Pérez-Ruiz [4]
1. Laboratory of Psychoacoustics, Hospital Infantil de Mexico, Mexico, D.F.
2. Department Of Neurosurgery, Hospital Infantil de Mexico, Mexico, D.F.
3. National School of Music, National Autonomous University of Mexico, Mexico
4. Section of Acoustics of the Centre of Instruments, National Autonomous University of Mexico, Mexico, D.F.

Return to Contents

HISTORY OF MUSICAL ACOUSTICS

Session S12 - Reid Concert Hall, Friday 22nd 09:00

Joint session with the Colloquium on Historical Musical Instrument Acoustics and Technology

Welcome to the Galpin Society and Opening of Joint Sessions
Arnold Myers
Faculty of Music, University of Edinburgh, U.K.
  John Donaldson and the Teaching of Acoustics at the University of Edinburgh in the Mid-Nineteenth Century (invited paper)
Christopher D.S. Field
Faculty of Music, University of Edinburgh, U.K.
  The History of Musical Acoustics: Natural Potential of Tone Pitches and their Relations in the Light of Evolution of Acoustical Musical Thought and its Influence on Musical Instrument Practice
Mihaljo L. Djordjevic
Radio Belgrade, Belgrade, Serbia
  The State of Progress with the Edinburgh University Manuscript Instrumentalischer Bettlermantl
J. Patricia Campbell
Department of Fine Art, University of Edinburgh, U.K.
  Application of Acoustical Science by Historical Makers of Keyboard Instruments
John Koster
The Shrine to Music Museum, University of South Dakota, Vermillion, U.S.A.

Return to Contents

HISTORICAL AND TRADITIONAL WIND INSTRUMENTS

Session S13 - Reid Concert Hall, Friday 22nd 11:10

Joint session with the Colloquium on Historical Musical Instrument Acoustics and Technology

  Non-conformistic Pipe Scaling for a Classical Organ
Dirk Steenbrugge
Gent, Belgium
  The Sound Quality of Dutch Wind Instruments from the Baroque Period: The Project
Rob Van Acht
Haags Gemeentemuseum and Institute of Sonology, Koninklijk Conservatorium, The Hague, The Netherlands
  Using Pulse Reflectometry to Compare the Evolution of the Cornet and the Trumpet in the 19th and 20th Centuries
David B. Sharp [1], Arnold Myers [2] and D. Murray Campbell [1]
1. Department of Physics and Astronomy, University of Edinburgh, U.K.
2. Faculty of Music, University of Edinburgh, U.K.
  Early Years of the Modern Trombone: Some Observations
Arnold Myers [1] and Raymond Parks [2]
1. Faculty of Music, University of Edinburgh, U.K.
2. Department of Physics and Astronomy, University of Edinburgh, U.K.

Return to Contents

HISTORICAL AND TRADITIONAL STRINGED INSTRUMENTS

Session S14 - Reid Concert Hall, Friday 22nd 13:50

Joint session with the Colloquium on Historical Musical Instrument Acoustics and Technology

  Bowed String Parameters and the Hurdy Gurdy
Peter Dobbins
BAeSEMA, Bristol, U.K.
  Tone Development in Stringed Instruments, I: the Degradation of Hemicellulose
Ephraim Segerman
Manchester, U.K.
  Tone Development in Stringed Instruments II: Acoustic Vibration and Creep
Ephraim Segerman
Manchester, U.K.
  Acoustic and Dynamic Characterization of Different Hammers-sets in the Rossini Piano Pleyel "petit à queue" Restoration
Alessandro Cocchi [1], Flavio Ponzi [2] and Lamberto Tronchin [1]
1. DIENCA, Faculty of Engineering, University of Bologna, Italy
2. Echo Historical Pianos, Bologna, Italy
  Sympathetic Stringing as applied to the Baryton and other Bowed Instruments of the 17th and 18th centuries: Origins - Applications - Acoustics
Terence M. Pamplin
London Guildhall University, London, U.K.
  Acoustics of Historical Guitars
Bernard Richardson
Department of Physics and Astronomy, University of Wales, Cardiff, U.K.

Return to Contents

HISTORICAL AND TRADITIONAL PERCUSSION INSTRUMENTS

Session S12 - Reid Concert Hall, Friday 22nd 16:20

Joint session with the Colloquium on Historical Musical Instrument Acoustics and Technology

  An Acoustical Study for the Restoration of the Carillon in Perpignan - Characterization of Bell Dampings
Xavier Boutillon, Bertrand David and Benoit Fabre
Laboratoire d'acoustique Musicale, Université Paris VI, France
  Acoustics of Ancient Chinese Bells
Thomas D. Rossing
Physics Department, Northern Illinois University, DeKalb, U.S.A.

Friday 22nd 17:00
  Close of ISMA '97

The Abstracts of the Symposium Papers are published on the World-Wide Web, URL:-

http://www.music.ed.ac.uk/euchmi/isma/mta.html

The papers are published as the Proceedings of ISMA '97 by the Institute of Acoustics.

See also the abstracts of the Colloquium on Historical Musical Instrument Acoustics and Technology, Web URL: http://www.music.ed.ac.uk/euchmi/galpin/gxita.html, organised jointly by the Edinburgh University Collection of Historic Musical Instruments and the Galpin Society, held in Edinburgh 22-24 August 1997.

The Organisers

ISMA '97 was organised by the University of Edinburgh in association with
the Catgut Acoustical Society,
the Institute of Acoustics (UK) and the European Acoustical Association.

ISMA '97 Organising Committee

D. Murray Campbell (University of Edinburgh); Peter Dobbins (BAeSEMA); Clive Greated (University of Edinburgh); Catherine Mackenzie (Institute of Acoustics); Arnold Myers (University of Edinburgh); Peter Nelson (University of Edinburgh); Bernard E. Richardson (University of Cardiff); James Woodhouse (University of Cambridge)

ISMA '97 Scientific Committee

Xavier Boutillon (France); Neville Fletcher (Australia); Avraham Hirschberg (Netherlands); Carleen Hutchins (U.S.A.); Jürgen Meyer (Germany); Isao Nakamura (Japan); Thomas Rossing (U.S.A.); Julius O. Smith III (U.S.A.)

Further information from the Chairman of the Organising Committee:-

Dr D. Murray Campbell,
Department of Physics and Astronomy,
University of Edinburgh,
James Clerk Maxwell Building,
Mayfield Road,
EDINBURGH EH9 3JZ, Scotland

Tel +44 (0) 131 650 5262

Fax +44 (0) 131 650 5902

Web URL: http://www.music.ed.ac.uk/euchmi/isma/


See also the Colloquium on Historical Musical Instrument Acoustics and Technology jointly organised by the Edinburgh University Collection of Historic Musical Instruments and the Galpin Society. University of Edinburgh, 22-23 August 1997, Web URL: http://www.music.ed.ac.uk/euchmi/galpin/gxip.html

See also the One-day Conference on Instrumentalischer Bettlermantl, a 17th-century Musical Compendium in the Edinburgh University Library Special Collections. University of Edinburgh, Sunday 24th August 1997, Web URL: http://www.music.ed.ac.uk/euchmi/manuscript/


Communications about the contents of these pages to A.Myers@ed.ac.uk

This page updated: 25.08.97