Public interest in the past and its artefacts is generally increasing as indicated by an ever-growing number of museum visitors. Musical instruments, being personal objects, are part of this trend. One of the most important characteristics of a musical instrument is its sound. How can the public experience the sound? How can we, as museum professionals, balance the expectations of visitors, funders and administrators with concerns for the preservation of the objects in our charge? During this conference CIMCIM wishes to explore this museological theme from as many perspectives as possible. Museum professionals from all branches are encouraged to contribute their concerns, ideas, and experiences.

Papers will only be accepted if they are: (a) on the topic as described above and (b) relevant to museum practice. Abstracts of 200 or 300 words should be submitted by post, fax or preferably by e-mail to:

Corinna Weinheimer
Ringve Museum
Pb 3064 Lade
N-7441 Trondheim
Norway

Please send your abstract as soon as possible; all proposals should be received by the end of May 2002. Notified of acceptance will be sent to participants as soon as possible.

The CIMCIM board is seeking funding for members who wish to present a paper and would otherwise not be able to attend. In addition, the ICOM National Committees may provide support for participants to attend the conference. For further information please contact Corinna Weinheimer, address above.

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This page updated: 7.12.01